David Bowie Lets Dance Album Mega
By 1983, David Bowie had been away from the pop mainstream for almost three years. Inevitably, his return to action with the 'Let's Dance' single and an album of the same name was greeted with wild enthusiasm, all the more so when his latest transformation revealed him to be more than ready to accept the mega-superstardom he had merely flirted with for so long.
David Bowie – Discography (1967 – 2016)
EAC Rip 182xCD FLAC/APE Tracks & Image + Cue + Log Full Scans Included
Total Size: 76 GB 3% RAR Recovery
STUDIO ALBUMS LIVE ALBUMS COMPILATIONS BOX SETS
Label: Various Genre: Glam Rock
The cliché about David Bowie says he’s a musical chameleon, adapting himself according to fashion and trends. While such a criticism is too glib, there’s no denying that Bowie demonstrated remarkable skill for perceiving musical trends at his peak in the ’70s. After spending several years in the late ’60s as a mod and as an all-around music-hall entertainer, Bowie reinvented himself as a hippie singer/songwriter. Prior to his breakthrough in 1972, he recorded a proto-metal record and a pop/rock album, eventually redefining glam rock with his ambiguously sexy Ziggy Stardust persona. Ziggy made Bowie an international star, yet he wasn’t content to continue to churn out glitter rock. By the mid-’70s, he developed an effete, sophisticated version of Philly soul that he dubbed “plastic soul,” which eventually morphed into the eerie avant-pop of 1976’s Station to Station. Shortly afterward, he relocated to Berlin, where he recorded three experimental electronic albums with Brian Eno. At the dawn of the ’80s, Bowie was still at the height of his powers, yet following his blockbuster dance-pop album Let’s Dance in 1983, he slowly sank into mediocrity before salvaging his career in the early ’90s. Even when he was out of fashion in the ’80s and ’90s, it was clear that Bowie was one of the most influential musicians in rock, for better and for worse. Each one of his phases in the ’70s sparked a number of subgenres, including punk, new wave, goth rock, the new romantics, and electronica. Few rockers ever had such lasting impact. ― Allmusic
1. STUDIO:
1967. David Bowie (1989, Deram, P25L 25027, Japan)
1967. David Bowie (2010, Universal, UICY 94402.3, Japan, SHM-CD, 2CD)
1969. Space Oddity (1984, RCA, PD84813, W.Germany)
1969. Space Oddity (1990, EMI, CDP 79 1835 2, UK)
1969. Space Oddity (1990, Rykodisc, RCD 10131, Canada)
1969. Space Oddity (2007, Toshiba-EMI, TOCP-70141, Japan)
1969. Space Oddity (2009, EMI, TOCP-95041, Japan, SHM-CD)
1970. The Man Who Sold The World (1990, EMI, CDP 79 1837 2, UK)
1970. The Man Who Sold The World (2009, EMI, TOCP-95042, Japan, SHM-CD)
1971. Hunky Dory (1984, RCA, PD84623, W.Germany)
1971. Hunky Dory (1990, Rykodisc-Au20, RCD 10133, USA)
1971. Hunky Dory (2007, Toshiba-EMI, TOCP-70143, Japan)
1971. Hunky Dory (2009, EMI, TOCP-95043, Japan, SHM-CD)
1972. The Rise and Fall of Ziggy Stardust and the Spiders from Mars (1984, RCA Victor, PCD1-4702, Japan for USA)
1972. The Rise and Fall of Ziggy Stardust and the Spiders from Mars (1984, RCA, PD84702, W.Germany)
1972. The Rise and Fall of Ziggy Stardust and the Spiders from Mars (1990, EMI, CDP 79 4400 2, Holland)
1972. The Rise and Fall of Ziggy Stardust and the Spiders from Mars (1990, Rykodisc Au20, RCD 80134, USA)
1972. The Rise and Fall of Ziggy Stardust and the Spiders from Mars (1990, Rykodisc, RCD 10134, USA)
1972. The Rise and Fall of Ziggy Stardust and the Spiders from Mars (1999, EMI, 521 900 0, USA)
1972. The Rise and Fall of Ziggy Stardust and the Spiders from Mars (2007, Toshiba-EMI, TOCP-70144, Japan)
1972. The Rise and Fall of Ziggy Stardust and the Spiders from Mars (2009, EMI, TOCP-95044, Japan, SHM-CD)
1973. Aladdin Sane (1984, RCA Victor, PCD1-4852, USA)
1973. Aladdin Sane (1990, EMI, CDP 79 4768 2, UK)
1973. Aladdin Sane (1990, Rykodisc, RCD 10135, USA)
1973. Aladdin Sane (2009, EMI, TOCP-95045, Japan, SHM-CD)
1973. Aladdin Sane (2013, EMI, TOCP-71510, Japan, 40th)
1973. Pinups (1984, RCA, PD84653, Japan for W.Germany)
1973. Pinups (1999, EMI, 521 903 0, UK)
1973. Pinups (2009, EMI, TOCP-95046, Japan, SHM-CD)
1974. Diamond Dogs (1984, RCA, PD83889, W.Germany)
1974. Diamond Dogs (1999, EMI, 521 904 0, UK)
1974. Diamond Dogs (2009, EMI, TOCP-95047, Japan, SHM-CD)
1975. Young Americans (1984, RCA Victor, PCD1-0998, Japan for USA)
1975. Young Americans (1991, Rykodisc-Au20, RCD 80140, USA)
1975. Young Americans (1991, Toshiba-EMI, TOCP-6211, Japan)
1975. Young Americans (1999, EMI, 521 905 0, Germany)
1975. Young Americans (2009, EMI, TOCP-95048, Japan, SHM-CD)
1976. Station To Station (1984, RCA, PD81327, W.Germany)
1976. Station To Station (1991, Rykodisc, RCD 10141, USA)
1976. Station To Station (1991, Rykodisc-Au20, RCD 80141, USA)
1976. Station To Station (1999, EMI, 521 906 0, UK)
1976. Station To Station (2009, EMI, TOCP-95049, Japan, SHM-CD)
1977. Heroes (1984, RCA Victor, PCD1-2522, USA)
1977. Heroes (1984, RCA, PD83857, W.Germany)
1977. Heroes (1991, EMI, CDP 79 7720 2, Holland)
1977. Heroes (2007, Toshiba-EMI, TOCP-70151, Japan)
1977. Heroes (2009, EMI, TOCP-95051, Japan, SHM-CD)
1977. Low (1991, EMI, CDP 79 7719 2, Holland)
1977. Low (1991, Rykodisc-Au20, RCD 80142, USA)
1977. Low (2007, Toshiba-EMI, TOCP-70150, Japan)
1977. Low (2009, EMI, TOCP-95050, Japan, SHM-CD)
1979. Lodger (1984, RCA, PD84234, W. Germany)
1979. Lodger (1991, EMI, CDP 79 7724 2, Holland)
1979. Lodger (1991, Rykodisc, RCD 10146, USA)
1979. Lodger (1999, Toshiba-EMI, TOCP-65316, Japan)
1979. Lodger (2009, EMI, TOCP-95052, Japan, SHM-CD)
1980. Scary Monsters (1984, RCA, PD83647, W.Germany)
1980. Scary Monsters (1992, EMI, CDP 79 9331 2, Holland)
1980. Scary Monsters (1992, Rykodisc, RCD 20147, USA)
1980. Scary Monsters (1999, EMI, 521 895 0, Holland)
1980. Scary Monsters (2009, EMI, TOCP-95053, Japan, SHM-CD)
1983. Let’s Dance (1983, EMI America, CDP 7 46002 2, Japan for USA)
1983. Let’s Dance (1999, EMI, 521 896 0, Italy)
1983. Let’s Dance (2009, EMI, TOCP-95054, Japan, SHM-CD)
1984. Tonight (1984, EMI America, CDP 7 46047 2, Japan for UK, EU & USA)
1984. Tonight (1984, EMI America, CDP 7 46047 2, USA)
1984. Tonight (1999, EMI, 521 897 0, Italy)
1984. Tonight (2009, EMI, TOCP-95055, Japan, SHM-CD)
1987. Never Let Me Down (1987, EMI America, CDP 7 46677 2, USA)
1987. Never Let Me Down (1995, Virgin, 840 986 2, Holland)
1987. Never Let Me Down (2009, EMI, TOCP-95056, Japan, SHM-CD)
1989. Tin Machine (1999, EMI, 521 910 0, Italy)
1989. Tin Machine (2009, EMI, TOCP-95057, Japan, SHM-CD)
1991. Tin Machine II (1991, London, 828 272-2, France)
1993. Black Tie White Noise (2003, EMI, 90967-0-4, USA, 2CD, 10th)
1993. The Buddha Of Suburbia (2007, EMI, 500 463 2, USA)
1995. 1.OUTSIDE (1995, Virgin, 8 40711 2, USA)
1995. 1.OUTSIDE (2013, Sony Music, SICP-30151, Japan, BSCD2)
1996. 1.OUTSIDE [version 2] (1996, BMG, 74321369002, Germany)
1997. Earthling (1997, BMG, 7432143077 2, Germany)
1997. Earthling (2013, Sony Music, SICP-30152, Japan, BSCD2)
1999. Hours (1999, Virgin, 8 48157 0, USA)
1999. Hours (2004, ISO, CK 92099, USA)
1999. Hours (2013, Sony Music, SICP-30153, Japan, BSCD2)
2002. Heathen (2002, ISO, 508222 9, Austria, 2CD, Limited Ed)
2002. Heathen (2002, ISO, CK 86656, USA, 2CD, Limited Ed)
2002. Heathen (2013, Sony Music, SICP-30154, Japan, BSCD2)
2003. Reality (2003, ISO-Columbia, CK 90660, USA, 2CD, Limited Ed)
2003. Reality (2003, ISO-Columbia, COL 512555 3, Austria, Limited Tour Ed)
2003. Reality (2013, Sony Music, SICP-30155, Japan, BSCD2)
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2013. The Next Day (2013, Sony Music, SICP 30127, Japan, BSCD2)
2016. Blackstar (2016, ISO, 88875173862, EU)
2016. Blackstar (2016, Sony, SICP-30918, Japan, BSCD2)
2. LIVE:
1973. Live Santa Monica ’72 (2008, EMI, BOWLIVE 201072, EU)
1973. Santa Monica ’72 (1994, Golden Years, GY 002, UK)
1973. Ziggy Stardust And The Spiders From Mars (2003, EMI, 7243 5 82394 2 3, EU, 2CD, 30th)
1974. David Live (1990, Rykodisc, RCD 10138~39, USA, 2CD)
1978. Stage (1991, Rykodisc, RCD 10144~45, USA, 2CD)
1978. Stage (1992, EMI, TOCP-6217~18, Japan, 2CD)
1990. Live In Los Angeles 1974. Part One (1990, SGRS Records, SGRS 011, Italy)
1990. Live In Los Angeles 1974. Part Two (1990, SGRS Records, SGRS 012, Italy)
2007. Glass Spider (2007, EMI, 0094639100224, EU, 2CD)
3. COMPILATION:
1976. ChangesOneBowie (1984, RCA Victor, PCD1-1732, Japan for USA)
1981. ChangesTwoBowie (1984, RCA, PD84202, Japan for W.Germany)
1983. Golden Years (1983, RCA, PD84792, Japan for W.Germany)
1984. Fame And Fashion (1984, RCA Victor, PCD1-4919, Japan for USA)
1990. Changesbowie (1990, EMI, CDP 79 4180 2, UK)
1990. Changesbowie (1990, Rykodisc, RCD 20171, USA)
1993. The Singles Collection (1993, EMI, 7243 8 28099 2 0, Holland, 2CD)
1997. The Deram Anthology 1966-1968 (1997, Deram, 844 784-2, UK)
2000. At the Beeb. The Best of the BBC Radio Sessions 68-72 (2000, EMI, 7243 528629 2 4, EU, 2CD)
2000. Bowie At The Beeb (2000, EMI, BEEBPRO 6872, UK, Sampler)
2002. Best Of Bowie(2004, EMI, 7243 5 77949 2 3, EU, 3CD, Limited Ed)
2005. The Platinum Collection(2005, EMI, 0946 3 44076 2 5, EU, 3CD)
2014. Nothing Has Changed (2014, Parlophone, 825646205745, EU, 2CD)
2014. Nothing Has Changed(2014, Parlophone, 825646205769, EU, 3CD)
2016. Bowie Legacy (2016, Parlophone, 190295919870, EU, 2CD)
4. BOX SET:
1989. Sound + Vision(1989, Rykodisc, RCDV 1018, USA, 4CD)
1989. Sound + Vision(2014, Parlophone, DBSAVX1. 0825646237784, EU, 4CD)
2007. Outside / Earthling / Hours / Heathen / Reality(2007, Columbia, 88697169032, EU, 10CD)
2012. Original Album Classics(2012, Columbia, 88691906172, EU, 3CD)
2015. Five Years 1969-1973(2015, Parlophone, 0825646284085, DBX-1, EU & USA, 12CD)
2016. Who Can I Be Now? [1974-1976](2016, Parlophone, 0190295989842.DBX2, EU, 12CD)
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David Bowie – Let’s Dance (2018 Remastered Version) (2019)
FLAC (tracks) 24-bit/96 kHz Time – 39:46 minutes 884 MB Genre: Rock
Studio Master, Official Digital Download Front Cover © Parlophone UK
“Let’s Dance” was the fifteenth studio album by David Bowie, originally released in 1983, with co-production by Chic’s Nile Rodgers.
The title track of the album became one of Bowie’s biggest hit singles, reaching No. 1 in the UK, US and various other countries. Further singles included “Modern Love” and “China Girl,” the latter of which was a new version of a song which Bowie had co-written with Iggy Pop for the Pop’s 197 album, ‘The Idiot.’
The success of the album surprised Bowie, who felt he had to continue to pander to the new pop audience he acquired with the album. This led to Bowie releasing two further solo albums in 1984 and 1987 that, despite their relative commercial success, did not sell as well as Let’s Dance, were poorly received by critics at the time and subsequently dismissed by Bowie himself as his “Phil Collins years.”
“David Bowie returned to recording after a four-year break with this relatively clean-cut 1983 album. Although offering another definite new direction for Bowie, with Nile Rodgers of Chic helping to produce a stylish post-disco dance sound, Let’s Dance is a mixed bag. Much of the album’s success was due to its three danceable hit singles-”China Girl,” a sensuous Bowie/Iggy Pop collaboration, the distinctive “Modern Love,” and the funky title track. However, much of the rest of the album is bland and vapid, marking the start of serious decline in Bowie’s songwriting skills. A cover of Metro’s “Criminal World” and “Cat People” are the only other strong tracks here.” (James Swift)
Tracklist:
1. Modern Love (2018 Remastered Version)
2. China Girl (2018 Remastered Version)
3. Let’s Dance (2018 Remastered Version)
4. Without You (2018 Remastered Version)
5. Ricochet (2018 Remastered Version)
6. Criminal World (2018 Remastered Version)
7. Cat People (Putting Out Fire) (2018 Remastered Version)
8. Shake It (2018 Remastered Version)
Personnel:
David Bowie, vocals
Nile Rodgers, guitar
Stevie Ray Vaughan, lead guitar
Carmine Rojas, bass
Bernard Edwards, bass on “Without You”
Omar Hakim, drums
Tony Thompson, drums
Sammy Figueroa, percussion
Robert Sabino, keyboards, piano
Stan Harrison, tenor saxophone; flute
Robert Aaron, tenor saxophone
Steve Elson, baritone saxophone; flute
Mac Gollehon, trumpet
Frank Simms, backing vocals
George Simms, backing vocals
David Spinner, backing vocals
Recorded December 1982 at Power Station, Manhattan, New York City
Produced by David Bowie, Nile Rodgers
Digitally remastered
Download: